Maggie lives in gobsmacked awe of Grace, who performs in sold-out arenas all over the world, even though she hasn't put out a new album in a decade. Ross, in her first movie role since "Black-ish" premiered six years ago, is playing a music legend who seems a synthesis of Alicia Keys and Madonna (even if her look and bearing suggest Robin Roberts crossed with Lani Guinier), and she makes her a formidable figure. She bites down into Grace's effrontery, turning her into a regal but troubled power broker who controls her own destiny, even as she's surrounded by cynics and vipers, like her manager, Jack (Ice Cube), who's all about the Benjamins, or the unctuous millennial suits at her record label.
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May 27, 2020 at 06:53PM
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‘The High Note’ review: A fairy tale that cuts emotional corners - Chicago Tribune
"Review" - Google News
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