Invincible was always going to be a tricky show to pull off. Based on the early-2000s Image comic by Robert Kirkman and Cory Walker, the Amazon Prime adult animated series enters a media landscape that’s markedly different from two decades ago. Its three-episode premiere, while intriguing, seemed unable to strike the right tone with its animated gore, especially since the show takes a straight-faced approach to its satirical source material. The whole endeavor felt less like a response to the existing superhero zeitgeist — the way the comics were at the time — and more like just another cookie-cutter cape story with a few violent flourishes. However, the show began to find its footing as it went on, one episode at a time.By the time the first season reached its eighth and final entry, it managed to convincingly earn its Season 2 and 3 renewal, going out on an incredible high note, thanks to both its unique action and its character-centric gravitas. All in all, it’s pretty great.The show, like the comic, doesn’t play coy about its Marvel and DC influences. Lead character Mark Grayson (Steven Yeun) spends much of the season caught up in Spider-Man-esque dilemmas, as a high schooler spread thin between his civilian and superhero lives. To add to his already full plate, he also happens to be the son of Omni-Man/Nolan Grayson (J.K. Simmons), a mustached Superman archetype. When Mark finally begins manifesting abilities of his own, he takes up the mantle of Invincible and begins finding his way as a novice crime-fighter. However, in this world, superheroes are a dime a dozen — in fact, several of the show’s characters are based on the designs of the Justice League — and Omni-Man, the world’s strongest and most famous superhero, casts an incredibly long shadow. For Mark, it would appear that with great power comes great expectations.If the premise sounds as simple as “What if Spider-Man was Superman’s son?” then a major reveal at the end of the first episode complicates matters sufficiently. The show, it turns out, is also a murder mystery of sorts. It ropes a number of colorful characters into its steadily unfolding plot, from part-Rorschach, part-Hellboy demon detective Damian Darkblood (Clancy Brown), to duplicitous government spook Cecil Stedman (Walton Goggins) and his S.H.I.E.L.D.-like outfit, the Global Defense Agency, or the G.D.A. Even Mark’s mother Debbie (Sandra Oh) gets involved, and plays a much more active part in the story than her comic counterpart. While the first three episodes meander a bit, they’re at their most interesting when they focus on this mystery element. However, starting with episode 4, the show seems to undergo a stylistic metamorphosis. It begins to feel more fun and energetic without sacrificing its emotional core, and by episode 5, the series begins to feel fully-formed, not only telling stories that evoke 1970s superhero comics and their transition to more serious social subjects, but using its over-the-top violence in ways that feel pointed and impactful.
The sixth episode, however, takes a bit of a tonal detour and falls back on some of the bad habits in those early episodes. A problem plaguing the show is that it occasionally relies on stilted, dryly edited dialogue scenes to deliver exposition and emotional information. These sequences can be a bit of a drag, and it doesn’t help that the all-star cast largely comprises famous screen actors without much voice acting experience. The result often feels rote, like the audience is sitting in on a table read rather than being told a meaningful story. However, as the show progresses, the visual storytelling becomes more polished, employing live-action cinematic techniques like rack-focuses to really bring out the subtext. This especially stands out in episode 5, during a simple dinner sequence between Mark, Nolan, and Debbie, who are all keeping information from each other and wrestling with important decisions. When the show tightens up its animation, it feels laser-focused.
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However, the show is also strong enough to overcome most of these problems by its final two episodes. They play like a single, extended action climax, and by the time the finale begins, even the season’s inadequacies begin to feel worthwhile. The eighth episode is one worth waiting for, not only for the way it evokes real-world images of terrorism and natural disasters — its violence is uniquely disturbing for western animation! — but because of its poignant storytelling, which brings Mark face to face with his ultimate physical and emotional challenges. Without getting into too much detail, it has a scene involving Mark, Nolan, and a train collision that’s both emotionally riveting and visually jaw-dropping. You’ll know it when you see it.
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"Review" - Google News
May 05, 2021 at 07:02AM
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Invincible: Season 1 Review - IGN
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